Venue Cafe Bar - 427 Sauchiehall Street, Glasgow - G2 3LG


Thursday 22nd February

Bad Hombres

We’re finally releasing new music! Our new single ‘Manuel’ is due to be released on Friday the 16th of February and to celebrate the occasion, we’re hosting a single launch with our boys from the brilliant 0141 and Skinner on the 22nd of February at Broadcast. Tickets cost £5 and will be available from
Thank you all for your support in 2017 and the start of the new year, and it would be class to see you all there for a class night.

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Friday 23rd February



7PM Doors


Saturday 24th February

James Edwyn & The Borrowed Band Launch Party

James Edwyn and The Borrowed Band will be joining us at Broadcast, Glasgow. With support from Anton & The Colts AND Riley Music.


“Hailing from Glasgow’s deepest and darkest west end streets, meet James Edwyn and The Borrowed Band. Singer- Songwriter and guitarist James Edwyn has styled his latest work in the bracket of Americana/ folk-rock/ alt country.”


“The ATC sound draws on numerous influences: the pristine vocal harmonies of country and bluegrass, raucous bluesy guitars, the right swinging rhythms of classic soul and funk with Anton’s sweet smokey growl accompanied by tales of love, regret, addiction, good times, bad times and everything in between.”


“18 year old singer/ songwriter from Glasgow. Finalist for CAPITAL FM’S SPOTLIGHT competition with SSE.”

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CF Poster

Sunday 25th February

Chris Forsyth & The Solar Motel Band

Chris Forsyth & The Solar Motel Band

7PM Doors

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Tuesday 27th February



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Wednesday 28th February

Kelly Stoltz + Probes

Kelly Stoltz

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Thursday 1st March



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Friday 2nd March

Tijuana Bibles

Tijuana Bibles SXSW Fundraiser

7PM Doors


Saturday 3rd March

Drowned Out / Finding Argyle / Take Today / Vague Reality

RCMS Promotions Glasgow presents..

Drowned Out
Finding Argyle + TAKE TODAY + Vague Reality

Live at Broadcast
03 March 2018
Over 16s / Doors 7pm
£6 ADV

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Monday 5th March

INYAL Album Launch

March 5th sees the Glasgow launch of the much-anticipated debut album from Glasgow based folktronica five-piece, Inyal. Sensitive and innovative electronics are perfectly balanced against mercurial tunes and evocative Gaelic songs, performed here by Radio 2 Young Folk Award winner, Josie Duncan.

Across its nine tracks, the sound of the album comprises left-field electronica, hip-hop, jazz and orchestral music, all while remaining rooted in the virtuosity and unmistakeable hallmarks of modern folk. Ethereal kalimbas echo around a centuries old waulking song, pulsating synth lines intertwine with nimble, melodic whistle playing, and in the album’s more placid moments, grand pianos rub shoulders with serene field recordings to paint ancient Gaelic song in a subtle, contemporary light.

The album was recorded and mixed by Mattie Foulds (Shooglenifty, Rachel Newton) at Caribou Recording and mastered by Andy ‘Hippy’ Baldwin at London mastering institution, Metropolis. Additional string parts were recorded by BBC Young Traditional Musician of the Year, Charlie Stewart, who will be joining the band on the night alongside fiddle virtuoso and all round class act, Laura Wilkie.

Support TBC.

Tickets £5 adv / £8 otd

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Tuesday 6th March

The BellRays + Fuzzy Vox

Punk. Funk. Rock. Soul. The main ingredients in a potent witch’s brew that The BellRays have been mixing for a long time now. Returning with their first full new album since the release of ‘Black Lightning’ in 2010, ‘Punk Funk Rock Soul Volume 2’ follows the release of ‘Volume One’, the four-track taster EP released in 2017 as an appetiser for the main feast. ‘Volume Two’ arrives February 2nd via Cargo Record UK.

If music is food for the soul, then The BellRays are thanksgiving and they know how to cook. The BellRays strip down to the meat of what music means to them. Growing up in SoCal, they thrived on radio channels that broadcast more than one kind of music. It was a party. ‘Punk Funk Rock Soul’ is their party with their songs and friends.

“We take our ear where our heart lives in simple song writing, making ourselves and hopefully all who hear it feel good,” explains singer Lisa Kekaula. “We are proud of its simplicity and love how the new songs sound like old friends. This release is a collection of songs that illustrates why we do what we do. We are not 20 year olds and that’s okay. We are proud of our mileage and journey and PUNK FUNK ROCK SOUL validates our comfort in what music means to us. Viability, trend and meaning are up to the eye of the beholder…we like to rock.”

With each song, The BellRays play with the formula. The dynamics shift and change from straight ahead rockers like “Bad Reaction” “Junior High” and “Never Let a Woman” to more rock/pop songs like “I Can’t Hide” and “Brand New Day”. “Man Enough” features tornado drumming and Caravanesque guitar solos. How do you make the dark sound light? Listen to “Perfect”, which is heavy while singing about finding that rhythm together. “Now” spreads out with a simple melody and message of being in the moment. “Every Chance I Get” gets to the blues with its plaintive resolution to use time as wisely as possible. “Love and Hard Times” closes the album with an easy, R&B tinged lyric reminiscent of Levon Helm and The Band. Throughout PUNK FUNK ROCK SOUL, The BellRays slide from song to song, changing the dynamics but not the dynamism. In the studio or on stage, the BellRays equals energy. E=BR(P+F+R+S).

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Wednesday 7th March

The Kalaharis + Stone Ivy + After School Club + Conor Heafy

Message for discounted guestlist entry! (£2 with guestlist or student card) £4 on door.

16+, Broadcast, Glasgow

7:00PM : Doors
7:15PM : Conor Heafey
7:45PM : Stone Ivy
8:30PM : The Bleeders
9:15PM : The Kalaharis
10:00PM : Curfew

/ / Conor Heafey / /

Originally from the Black Isle in the Scottish Highlands Conor pursued music from a young age then in his late teens he relocated to Perth to study music where he began to pursue songwriting. Now in his early twenties Conor has experience writing music and touring Scotland and has recently embarked on a long overdue venture into a singer-songwriter solo project.



/ / Stone Ivy / /

Stone Ivy are an indie/pop rock band formed of four members from Barrhead, Glasgow. They are an upcoming band and have been formed for a year. They recently released their first single “Happy Eyes” and is available on all music platforms. Stone Ivy aim to have their first EP released in Spring 2018.


/ / The Bleeders UK / /

Meaty obese rock duo from Glasgow with a joint age of 45 and a joint IQ of really big. Originally The Modests for 8 years, but due to popular demand we reformed. We are currently recording our first EP under the new name/setup and hope to release it in the next few months. We enjoy long jumps out off high buildings and enjoy the music of Pixies, Led Zeppelin, Nirvana, Queens Of The Stone Age, Garry Barlow etc. Thank You, Goodnight, Much Love


/ / The Kalaharis / /

‘The Kalaharis’ are an up and coming indie rock band based in Tayside & Fife. The group are influenced by a mix of bands such as ‘Catfish and the Bottlemen’, ‘Oasis’, ‘The 1975’ and ‘The Courteeners’ and use this to create an eclectic sound of their own. After the success of their debut single ‘You’, which resulted in a show at ‘Kings Tuts’ and their own headliner at Broadcast through Scruff Of The Neck Promotions, the band look to build on this success through their own Scottish Tour for their latest single ‘Promises’ which will be available on most major streaming sites.


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Friday 9th March

Parliamo + Slouch + The Roly Mo + The Shutouts (16+)

ALT. WAVES & RCMS Promotions Glasgow presents…


“Fusing a revival of rock ‘n’ roll guitar music with pop melodies alike to the 60’s, all the while carrying a punk energy and huge echoey drums of 80’s dance music, Parliamo represent an exciting take on underground pop. With a substantial live following and a recognition for putting on energetic and memorable live performances, Parliamo play anthems by the youth, for the youth. Coming from the songwriting compound of catchy jangling guitar riffs and melodies from 18-year-old Finn Freeburn Morrison and the street poetry of 17-year-old frontman Jack Dailly, who, citing lyrical influences such as John Cooper Clarke and Mike Skinner, pens lyrics about growing up and being immersed in the life and culture of the defiant youth of modern Scotland.”


The Roly Mo

The Shutouts

Live at Broadcast
Fri 09 March
Doors 7pm
Over 16s
£6 ADV

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Saturday 10th March

This Feeling + Metropolis Music Present The Wholls plus supports

The Wholls “The kind of cocksure bravado that belies only the best of rock ‘n’ roll bands” Gigwise
The Good Arms

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Sunday 11th March

Insecure Men

Insecure Men

7PM Doors


Wednesday 14th March

Eyre Llew (Free Entry)

Eyre Llew are an ambient-rock trio from Nottingham, UK often compared to bands such as Sigur Ros, Bon Iver, Explosions in the Sky and A Winged Victory For The Sullen. Having formed in August 2014, they have since released nine singles and a self-recorded 12 track debut album entitled ‘Atelo’ in locations all over the country. With an expectant growing fanbase they release ‘Atelo’ on Thursday 19th October 2017.

Eyre Llew have been featured on BBC Introducing, Kerrang! Radio and had a number of film and TV syncs including Jonny Owen’s ‘Don’t Take Me Home’ documentary. Previously championed by The 405, Fred Perry Subculture and BBC Introducing as well as being labelled by Drowned in Sound as 2017’s “ones to watch“. They have performed various tours around the UK, Europe and South Korea since their sold out début show in May 2015 with Pinkshinyultrablast in their hometown. By 2017 will have made festival appearances at Y Not, Outlines, 2Q, Handmade, The Great Escape, Dot to Dot, Focus Wales, Seazone Music & Conference (Poland), Zandari Festa (South Korea), Freilich Open Arts (Austria), Perth Music Expo, Ritual Union, 110 Above, Splendour, Outstanding, Farmfest, A Carefully Planned, Hockley Hustle, Karma Fest and Rockaway Beach with more to be announced.

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Thursday 15th March

Fears Chella

Since releasing their latest single ‘Lush’ through Supa Rouge on September 15th, Fears Chella‘s track has built up over 20,000 streams online and is growing daily. After the release, Fears Chella went on to support The Big Moon and Get Inuit and are now releasing the music video for Lush along with the dates for their first UK headline tour in March 2018.

7PM Doors


Saturday 17th March

This Feeling + Metropolis Music Present Sheafs plus support

SHEAFS ‘High class, high octane indie rock. One of the best new bands in the land’ GigSlutz
The Morning Retakes

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mary spender

Sunday 18th March


7PM Doors - £12.00 GBP

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Saturday 31st March

The Ramona Flowers

The Ramona Flowers

7PM Doors


Saturday 7th April

Funeral Shakes

Funeral Shakes
Supports TBA

7PM Doors

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Monday 9th April

Coldbones / Blanket

With Local Support TBA


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Saturday 14th April



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Thursday 19th April



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Monday 23rd April



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Wednesday 25th April

She Past Away + Selofan & Soft Riot

She Past Away is dark-wave with a reworked 80’s sound. Signature guitar sound of the post-punk era, combined with minimalist poetry in Turkish. Often an outburst of sentimental anxiety through the nihilistic mind-frame, it is personal. Yet it is broad, a wondering mind brave enough to question taboo and existence.

She Past Away is driving, it is mesmerizing. It is a haunt.

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Monday 30th April

White Hills + GNOD

Since their inception, Gnod’s musical trajectory has been one of constant fluctuation borne out of an incessant need to discover new sonic worlds. Beginning life as a shamanic drone ensemble, at times fitting up to 15 members on stage, these early rituals informed the core ideals that have come to define the group in their years of activity; community and trance-inducing repetition. Throughout a discography that has amassed dozens of CD-R’s, cassettes and vinyls for labels like Rocket Recordings, Trensmat, Krokodilo (Blackest Ever Black) and their own Tesla Tapes imprint, a restless yet organic need mutate their music into new realms has had critics clawing for comparative touch stones. Acts as far ranging as Hawkwind, Popul Vuh, Pan Sonic, Sunburned Hand of the Man and Pharaoh Sanders have all been referenced in attempt to pinpoint their output, one that has historically never aped any genre but with each record furthered their own unique place in truly independent music. It is the exact same dedication to the live arena that has seen Gnod become one of the most celebrated live bands in the UK and secured them multiple tours and festival appearances throughout Europe. In these times of cash in hand ‘glory days’ reunions and bands simply rehashing their recorded material pitch perfect live, Gnod are a stark and welcome anomaly. Already moving on from the barley released and universally acclaimed epic ‘Infinity Machines’, the current live incarnation of the band is characterised by a crushing, cataclysmic new protest music whose call to arms gravitas offers a meaningful defiance to Cameron’s Austerity Britain. Gnod have taken their very namesake and charged it with bludgeoning new edge that is as euphoric as it is nihilistic. It is one that stridently attests to the group’s spiritual center, one of community that is inclusive and respectful of its audience yet will never placate to their expectations. Instead, Gnod offer a gateway to an aural black hole and along with firm guiding hand, the opportunity to dive head and body first into a powerfully new psychedelic maelstrom full of possibilities.

Fuzzed out psych rockers WHITE HILLS have a new album on Thrill Jockey. White Hills are proponents of psychedelia as transformation. The music made by Dave W. and Ego Sensation is risky and cutting edge, rooted in dystopian futurism and hyperconscious of society’s constant desire for a new and better drug.

That progressive aesthetic is at the heart of White Hills’ newest album Walks For Motorists, a radically stripped-down record that emphasizes rhythm and groove. The album bursts forth with a new kind of intensity, one born out of laser-focused precision and detail-oriented songwriting. Possibly surprising to fans familiar with the Hawkwindian guitar squall of earlier albums, the songs on Walks For Motorists began as a keyboard melody or bass line, and several songs on the album don’t even feature guitar at all. This is propulsive, open music, surreal to its core but made to inspire people to get out of their seats and move.

White Hills has been developing an entirely new live set focusing on new music, and will be playing many major festivals in 2015, including Roadburn, Primavera,and ATP Iceland. As anyone who has seen the band knows, they can command stages both gargantuan and intimate, and are one of the most legendary live acts in psychedelic rock today. The band’s relentless touring of the US and Europe has gained them a massive grassroots following worldwide, and even more touring is planned throughout 2015.

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Wednesday 2nd May



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Thursday 17th May



+ Special Guests 

7PM Doors


Sunday 20th May

Lo Moon

7PM Doors - £10.50


Tuesday 22nd May

Screaming Females

New Jersey DIY-punk luminaries Screaming Females announced their seventh studio album All At Once, due out February 23, 2018 on Don Giovanni Records.

It will be made available in various formats including Digital, CD, Double-LP vinyl with a Limited Edition 7” and a Deluxe Limited Edition LPx3 with the 7” and an exclusive bonus LP of album demos. The band collaborated with producer Matt Bayles (Pearl Jam, Mastodon), setting out to make an album in the spirit of a salon-style gallery show, where larger pieces provide an eye-level focal point to a galaxy of smaller works. Concision took a back seat to experimentation, with arrangements meant to evoke the energy and spontaneity of their live performances.

Now more than a decade into its existence, Screaming Females can claim something that few of their peers possess in a comparable capacity: experience. “When you’ve been a band for 12 or 13 years, the resources can dry up and you just go back to what feels comfortable,” explains Dougherty. “The other option is that you develop stuff that a younger band would not have been able to do.” All At Once is the evidence of that growth — in its sprawl and scope, but also in its subtleties. “A song like ‘Glass House’ is something we knew we were capable of, but it took a while to fully embrace,” says Paternoster. “It’s very simple — just bass, drums, and two simple riffs. In the past, I might have insisted on adding more. Practicing self-restraint is something I have consciously been trying to do.”

The expectations that surround being in a band have changed a lot since Screaming Females started up in 2005. All At Once is a reminder there’s a hopeful and joyful energy to underground music-making. Patience, perseverance, and long term dedication still work. Be sure to catch Screaming Females on tour with Street Eaters and at their album release shows next year. Full list of dates here.

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Lorenzo Vecchio

Saturday 26th May

The Underground Youth

Started in 2008 as the creative project of Craig Dyer, The Underground Youth’s blend of darkly cinematic psychedelia and raw post-punk music has developed a worldwide loyal fan base that continues to grow.

Since 2012 the band have completed a number of lengthy tours throughout Europe seeing them consistently sell out shows and receive widespread praise for their festival performances.

Through independent record label Fuzz Club Records TUY have released 8 LP’s and 3 EP’s, receiving both a cult following and critical acclaim all of their original releases have since sold out and been re-mastered, re-pressed and re-released on different formats.

Having relocated from Manchester to Berlin before the release of their 8th LP ‘What Kind Of Dystopian Hellhole Is This?’ TUY are currently working on their 9th album.

The live band currently consists of Craig Dyer (Vocals, Guitar) Olya Dyer (Drums) Max James (Bass) and Leonard Kaage (Guitar). Combining walls of noise, raw energy and catchy melodies, TUY create a captivating live experience that is not to be missed.

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Wednesday 30th May

GospelbeacH + The Hanging Stars

The second album from GospelbeacH continues to deftly honor the grand tradition of West Coast rock and roll. This time around it’s more 70’s FM rock than 60’s AM gold, more cosmo than country with a theme of timeless love.

Straightforward, inviting songwriting and singing by Brent Rademaker (a founding member of Beachwood Sparks).

Warm classic production and tight harmonies once again by guitarist/vocalist Jason Soda. Recorded in Los Angeles at Palomino Sound, Jason’s new 1970’s vintage artisan recording studio. Third GospelbeacH core member Jonny Niemanns cascading piano, organ and mellotron fill out the albums rich sound.

In the tradition of the Troubadour scene of the 1970’s Another Summer of Love features some of the GospelbeacH friends and Los Angeles’s finest players and singers including, Pearl Charles, Miranda Lee Richards, members of Wilco, Mapache, Eels, and pickers from the Grand Ole Echo.

The album artwork features reflective photography by GospelbeacH guitarist/singer Neal Casal and Allah-Las drummer Matthew Correia.

Support: The Hanging Stars

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Tuesday 7th August

The Weirdos

The Weirdos may have been the first punk band formed in Los Angeles, although great debate exists over whether that title belongs to The Weirdos, The Zeros, or The Dils. Nonetheless, they made the strongest impression of the early bunch, with John Denney’s clear and tuneful scream, Dix Denney and Cliff Roman’s Raw Power guitars, and Dave Trout and Nickey Beat’s propulsive rhythm. Like some other early punks, the Weirdos created humor and thrills by pushing nihilism to absurd extremes: as The Randoms’ single “ABCD/Let’s Get Rid of New York” (1977 Dangerhouse) advocated wiping New York City off the map, The Weirdos’ first single urged the destruction of all music.

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